bach fugue in c major analysis

bach fugue in c major analysis

An early version of the prelude, BWV 846A, is found in the Klavierbüchlein für Wilhelm Friedemann Bach. In connection to this topic, the performer has to decide as to whether the 16th notes of the right hand should be sustained until the end of each arpeggio, or if they should be held (only) as long as the notation indicates. We have numbered the subject and answers appearance. By using our site you agree to the use of cookies. 1843 Composer Time Period Comp. Read our privacy policy for more information. It is also said that the subject appears exactly 24 times in this fugue representing the 24 fugues in the first book of the Well-Tempered Clavier. The Prelude and Fugue in C Major, BWV 846, is a keyboard composition written by Johann Sebastian Bach. the next measure with the 32ths notes of the subject): Follows the complete analysis of the fugue. A detailed guide that analyzes the structural, harmonic and thematic frame of the Prelude and the Fugue. BWV 952 ; BC L150 I-Catalogue Number I-Cat. 2 + 1 + 3 + 8 = 14. An analysis of J.S Bach's Prelude and Fugue No.1 in C major, BWV 846, from the Well Tempered Clavier Book 1. Incomplete appearances, appear in green color: ©2005 José Rodríguez Alvira. teoria.com uses cookies. If you play just the bass staff of the above score, you will see that there are some melodic effects that this makes, which are not audible if one just plays each 5 tone chord (upper and lower staves). The only measures where the subject is not present are measure 23 and the two last measures of the fugue. It is the first prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. Close. 1 in C Major, BWV 846 __ The famous prelude opening Book I of the Well-Tempered Clavier is both wonderfully classical in its harmonic richness and wonderfully modern in its repetitive simplicity. To be able to get to the total of 24 subjects you need to include two This fugue in C major, the first fugue from the first book of Bach's Well-Tempered Clavier, presents several interesting aspects: The voices appear in the exposition in the unusual order of subject - answer - answer - subject. The voices appear in the exposition in the unusual order of subject - answer - answer - subject. as you will see in our analysis, there are only 22 complete subjects. No. IJB 202 Key C major Movements/Sections Mov'ts/Sec's: 1 First Pub lication. The 14 notes long subject is said to be related to Bach's name: B = 2, A = 1, C = 3, H = 8 In my view, both variants are viable, it depends on the overall design, JS Bach, The Well-tempered Clavier - Online Analysis, Comments and Audio © Copyright 2020 Philip Goeth, Oregon Bach Festival Cuepoints on WTC Book 1, see Well-tempered Clavier - Notable Performances. Published by teoria.com, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The second incomplete appearance is in measure 15 where only the first 7 notes are presented: In the third incomplete appearance in measure 20, we only hear the first 3 notes (although you may find some relations between the sixteenth notes in notes are missing. The fugue closes by ways of a warm and splendid organ point with the upper voices rising in counterpointal dialogue to a crowning and lofty C maj. Below is an overview of the 4 sections of the fugue, as well as an indication of the modulations that occur. Period: Baroque: Piece Style Baroque: Instrumentation Clavier Title Composer Bach, Johann Sebastian: Opus/Catalogue Number Op./Cat. This is because in JSBs original score, the 2 bass notes sustain and form the basis of the chord progression. Fugue Alt ernative. incomplete presentations of the subject. After the exposition Bach presents numerous. But J.S. No. The first incomplete appearance is in measure 14: The 4 last notes are missing, yet this voice enters in a stretto, so you really hear it as a subject entrance even if the 4 last Bach – Prelude No. This fugue in C major, the first fugue from the first book of Bach's Well-Tempered Clavier, presents several interesting aspects: Some authors propose various numerological symbolism. Please note that in the above score, I have grouped the two bass tones and the upper chords separately.

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