debussy violin sonata program notes

debussy violin sonata program notes

The third movement opens with an echo of the mechanical theme from the first movement, rhythmically accelerating to a series of 16th notes in the violin that continues uninterrupted to the very end of the work, justifying its title “Perpetuum mobile”. Only three works were completed - the Sonata for Cello and Piano, the present sonata, and Debussy’s last composition, the Sonata for Violin and Piano. The program concludes with one of Debussy’s youthful works, composed in 1891 on a poem by Paul Bourget entitled “Beau Soir” (beautiful evening), transcribed for violin by A. Walter Kramer around 1914. No. In January 1924, Ravel was overcome by depression. Claude Debussy wrote his Sonata for Violin and Piano in the throes of a long, painful illness and in a country that had been ravaged by World War I. Program Notes for the Master’s Recital of Cellist Kendra Grittani ... were for flute, viola, harp and solo violin. By continuing to browse the site you are agreeing to our use of cookies. Bach began work on his Sonatas and Partitas for Solo Violin around 1703 while in Weimar. Tres vifIII. After its capricious introduction and mischievous first section, the more playful central movement (“Fantasque et léger”) displays clear Spanish influences. When rivers run pink as the sun sets down 12, No. 75 Robert McDonald, piano ” Rarely has a recording of Midori’s seduced us this much … In this recital of French sonatas it is the abundance of brilliance, panache and imaginativeness that beguile us from the outset. And soars to the heart bittersweet. AllegroII. The Sonata for Violin and Piano in G minor was Claude Debussy\'s last completed composition. Rivers to sea, and we to tomb. 10 Debussy’s music is radical and innovative in every aspect. <>/Metadata 120 0 R/ViewerPreferences 121 0 R>> Ravel began the Sonata for Violin and Piano No. These can also be heard in the finale, “Très animé,” which opens with a distant echo of the sonata’s opening theme, leading to what Debussy described as “a simple theme that turns back on itself like a snake biting its tail”. 3 - The Power of Fate, Clara - Robert - Johannes: Darlings of the Muses, Orchestre du Centre national des Arts du CanadaAlexander Shelley, Schubert: The Complete Sonatas and Major Piano Works, Vol. Ludwig van Beethoven Sonata for Violin and Piano No. Title Sonate (Troisième) pour violon et piano Composer Debussy, Claude: Opus/Catalogue Number Op./Cat. PLAYLIST. Poulenc: Sonata for Violin and Piano Debussy: Sonata in G Minor for Violin and Piano Saint-Saëns: Sonata No.1 in D minor for Violin and Piano, Op. Absolutely. 1 in D Major, Op. The Newburyport Chamber Music Festival fosters an interactive partnership between residents and visiting artists by engaging the community in the process of creating and presenting chamber music in Newburyport’s unique architectural spaces. The first movement, “Allegretto,” starts with a simple modal melody stated first in the piano and then partially taken up by the violin a fifth higher. Paul Bourget ... but we think we can help. 1, 2, 3 & 5, Schubert: The Complete Sonatas and Major Piano Works, Vol. Violin Sheet music › ... Violin Sonata L 140 Claude Debussy. Exhausted and watching the prewar world he had known slip away, Debussy … Michael Tilson Thomas, Music Director. endobj His last piece of chamber music, the sonata continued down the path of austerity Ravel took with the Sonata for Violin and Cello in C Major (1921 – 1922), carrying the independence of the instrumental parts even further than in Chansons madécasses (1925 – 1926). 3 0 obj Sonata No. The two men had a complex relationship: cast by the public into opposing camps, this had an inevitable effect on what had been a close friendship, Ravel stating ”it’s probably better for us, after all, to be on frigid terms for illogical reasons.” Ironically,with its spare Debussy-like lines, the Duo proved a turning point in Ravel’s artistic development. }����눍�Ǿ�zz����� {�邱C�CY�eN?H>�E��AL>�E>˃é'���q���O}����p�g��GiP.|��,-�c,_�"_�Ar����(8H?K��h���Oy�4)���_���Y:���+{?�FK16��p3>�G�v��}V�{�cb����,=������,F�B. English translation: Peter Christensen. And a ripple runs warm over fields of wheat, The prayer-like third movement reminds me of an early morning conversation after a thunderstorm where one lover whispers to the other “are you awake?”  while the rain outside patters lightly on the leaves. Just think what was going in the Roaring 20s in art, literature, science, politics, society. Architect LeCorbusier wanted to demolish entire “airless” precincts of downtown Paris and replace them with white towers. Recorded on 01/29/2004, uploaded on 02/12/2009. Germans were undergoing the democratic experiment called the Weimar Republic while producing moody cinematic masterworks of expressionism such as “Nosferatu, the Vampire” and Louis Armstrong recorded “Heebie Jeebies” in Chicago. Box Office: Grove Street, between Van Ness and Franklin, Debussy: Sonata in G minor for Violin and Piano, It began as a grand plan for six sonatas “for various instruments,” with the final sonata featuring all of the instruments from the previous five. Debussy Cello Sonata. Claude Debussy wrote his Sonata for Violin and Piano in the throes of a long, painful illness and in a country that had been ravaged by World War I. They date from roughly the same period as the six Suites for violoncello and the Brandenburg Concertos. Diagnosed with colorectal cancer in 1909, he underwent a grueling operation in 1915 that left him severely weakened and barely able to compose. Debussy's Sonata for violin and piano, third in a projected series of six chamber sonatas, … Lent IV. In 1920, Ravel, along with Stravinsky, Satie, Manuel deFalla, and Bartók, was asked to compose a tribute to the memory of Debussy, who had died in March. A first CD of extreme refinement with nuances that leave you speechless. This influence is even more prominent in the second movement, “Blues,” which features an improvisational character, ostinatos, syncopated rhythms, and suggestive glissandi. Ravel’s letters offer clues as to why the Sonata for Violin and Piano had such a long gestation. While we are young and the evening abloom, Art Deco and Surrealism swept the Continent as the automobile and radio transformed American society. The Finale opens with a reference to the first movement before propelling itself into a joyous gigue-like dance that evokes those extroverted romps of Debussy’s earlier years, such as Printemps.

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