the duke of urbino

the duke of urbino

Portrait of Francesco Maria della Rovere, Duke of Urbino 1536-38 Oil on canvas, 114 x 103 cm Galleria degli Uffizi, Florence: Francesco Maria della Rovere (1490-1538) succeeded his uncle Guidobaldo da Montefeltre as ruler of Urbino. Titian's landscape is expansive but untraversible, marked by a church tower in its idealized blue distance. For nearly 400 years this assessment of Catherine de Medici held true. In 1458 the death of both Alfonso and of his beloved illegitimate son, Buonconte, did not help to raise Federico's mood. It is a tempera on wood diptych (a painting in two parts, the same size, displayed side by side), of the Duke of Urbino, Federico da … Most successful condottieri of the Italian Renaissance, and lord of Urbino, Costanza di Montefeltro (December 1460 – February 1461). [4][5] Federico da Montefeltro and His Son Guidobaldo, Learn how and when to remove this template message, Studiolo di Gubbio of Federico da Montefeltro, Holy Conversation (Piero della Francesca), Diptych of Federico da Montefeltro and Battista Sforza, https://en.wikipedia.org/w/index.php?title=Federico_da_Montefeltro&oldid=962768069, Articles needing additional references from May 2019, All articles needing additional references, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 15 June 2020, at 23:22. His fortunes recovered when Pius II, a man of culture like him, became Pope and made him Gonfaloniere of the Holy Roman Church. The diptych is also painted on the back. When Sforza left for Lombardy, Sigismondo fomented a riot in Fossombrone, but Federico reconquered it three days later. This website uses cookies to improve your experience. However, after the death of his beloved second wife Battista Sforza (daughter of Elisabetta Malatesta and Alessandro Sforza), who never recovered after giving birth to their seventh child at 25 years old, he spent much of his time in the magnificent palace in Urbino. Ippolita della Rovere (b. The Duke of Urbino is a replica based on the sword described as XV.12 found in Oakeshott's Records of the Medieval Sword. Della Rovere fought as capitano generale of the Republic of Venice in Lombardy during the Italian Wars of 1521 (1523–1525), but with the new Medici Pope, Clement VII, the della Rovere were increasingly marginalized. After Piccinino's resignation, he went to Pesaro to defend it against his great enemy in the Marche, Sigismondo Pandolfo Malatesta, lord of Rimini. In 1478 Federico was involved in the Pazzi conspiracy.[2]. In 1464 the new Pope Paul II called him to push back the Anguillara, from whom he regained much of the northern Lazio for Papal control. Coordinates: 43°43′N 12°38′E / 43.717°N 12.633°E / 43.717; 12.633, Patria del Friuli (Patriarchate of Aquileia), https://en.wikipedia.org/w/index.php?title=Duchy_of_Urbino&oldid=990450987, States and territories established in 1443, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 November 2020, at 15:23. Federigo da Montefeltro and his wife are shown on two antique wagons in the company of the Virtues. Some scholars suggest that The Murder of Gonzago, an unknown play referenced in William Shakespeare's Hamlet, Prince of Denmark, which is itself later reworked by Hamlet into The Mousetrap (the play within the play), may have been a popular theatrical reenactment of Della Rovere's death and may have been portrayed in England's early theaters during the Elizabethan Era. Later he arranged the marriage of son Guidobaldo to Giulia da Varano (belonging to another former seigniory family of the region) to counter the Papal power in the Marche. You can see the Portraits of the Duke and Duchess of Urbino by Piero della Francesca in the hall #8. dedicated to Filippo Lippi. His first condotta was for Francesco I Sforza, with 300 knights: Federico was also one of the few condottieri of the time to have a reputation for inspiring loyalty among his followers. Lorenzo di Piero de' Medici (Italian pronunciation: [loˈrɛntso di ˈpjɛːro de ˈmɛːditʃi]; 12 September 1492 – 4 May 1519) was the ruler of Florence from 1516 until his death in 1519. Our site is a guide written by a team of locals that love Florence and art; this is NOT the official website for the Uffizi Gallery. The Duchy of Urbino was a fief of the Holy See in central-northern Italy. After some notable exploits in the Kingdom of Naples, he fought in the Marche against Malatesta, soundly defeating him at the Cesano river near Senigallia (1462). After the loss of the eye, Federico – no stranger to conspiracies and one of the leaders that inspired Niccolò Machiavelli to write Il Principe – had surgeons remove the bridge of his nose (which had been injured in the incident) and eyelid. (b. Francesco Maria poses alert in his stunningly rendered, glinting armor, his right arm and baton dramatically thrust out into the viewer's space. Not the Official Site for Uffizi - A Guide to the Uffizi Gallery by locals that love art. He was also This portrait includes his batons of command and portions of the embossed armor made by Filippo Negroli of Milan. In 1469, on the death of Sigismondo Pandolfo, Paul sent him to occupy Rimini: however, fearing that an excessive Papal power in the area could also menace his home base of Urbino, once having entered Rimini Federico kept it for himself. Professor Kenneth Bartlett, University of Toronto, in The Teaching Company course The Italian Renaissance, Part 2, Lecture 16. In 1509 he was appointed as capitano generale (commander-in-chief) of the Papal States, and subsequently fought in the Italian Wars against Ferrara and Venice. He died in Pesaro, poisoned. The Peace of Lodi of the following year seemed to deprive him of occasions to exhibit his ability as a military commander. Portraits of the Duke & Duchess of Urbino by Piero della Francesca, Adoration of the Magi by Gentile da Fabriano, The Battle of San Romano by Paolo Uccello, Annunciation by Simone Martini and Lippo Memmi, Santa Lucia de’ Magnoli Altarpiece by Veneziano, Madonna with Child and two Angels by Filippo Lippi, Judith and Holofernes by Artemisia Gentileschi. Federico commissioned for himself a studiolo (a small study or cabinet for contemplation) in both his palace at Urbino and that at Gubbio; both are celebrated for their trompe l'oeil decoration executed in marquetry. All his personal and professional achievements were financed through mercenary warfare. Catherine de Medici and Obsession Over Power "An execrable woman whose memory will remain in bloody crepe until the end of time[1]". This scarce antiquarian book is a facsimile reprint of the original. Francesco Maria I della Rovere (22 March 1490 – 20 October 1538) was an Italian condottiero, who was Duke of Urbino from 1508 until 1538. 1 Biography 2 Issue 3 References 4 Sources 5 External links He was born in Senigallia, the son of the Papal captain and lord of that city, Giovanni della Rovere, and of Giovanna da Montefeltro, daughter of Federico III da Montefeltro. In 1441 he distinguished himself in the conquest of the castle of St. Leo, which Federico was to hold for the rest of his life. [1], Articles containing Italian-language text, Articles incorporating text from Wikipedia, People excommunicated by the Roman Catholic Church, Alberico I Cybo-Malaspina, Marquis of Massa, http://arts.ucsc.edu/faculty/bierman/elsinore/poison/PoisonGonzago.html, https://military.wikia.org/wiki/Francesco_Maria_I_della_Rovere,_Duke_of_Urbino?oldid=3467471, Elisabetta della Rovere (died 6 June 1561) married. Now Federico fought against his former patrons the Florentines, caught in the Pope's attempt to carve out a state for his nephew Girolamo Riario. Her pet dog lies bored on a table in front of a window. He was also the nephew of Giuliano della Rovere, Pope Julius II. The birth of the duchy dates back to 1443, by virtue of the appointment of Oddantonio da Montefeltro as Duke of Urbino by Pope Eugene IV. The double profile portraits are reminiscent of the classical portrait medals and gives an ancient solemnity to the two figures. The former is still in situ, the latter was eventually purchased by and brought in its entirety to The Metropolitan Museum of Art.

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