autechre interview

autechre interview

Log in Sign up. Without these technologies, things like personalised recommendations, your account preferences, or localisation may not work correctly. Anyone can read what you share. It may just be my limitations as a programmer. Are you troubled by the idea of someone going through your music, releasing stuff without your permission when you’re gone…, Sean: I don’t give a shit, I’m going to be dead, so why would I care? Do you feel like every time you make an album you’re setting to make it unique and entirely separate to the last one, I mean, are they discrete projects, or are each of the album’s born out of a continuous process of music-making? I was 17 years old, and on a very rare trip . By Bubba Krishnamurti. Making guitar music isn’t broadening your horizons, it’s just narrowing your tonal palette. Don’t go through us. I was getting off it radio, really…, Sean: I mean, by sort of ’86-’87, I was still wearing tracksuit bottoms – and I was massively unfashionable, it wasn’t cool anymore, everybody else had got into James or whathaveyou…Yeah, even in ’86 I was getting dissed…, Rob: You know, as soon as something’s become saturated, you have to move on. Sean: I used to do pause button [i.e. Autechre will never be everyone's cup of tea but for the adventurous or simply curious the record offers numerous rewards. Mark Flanagan talks to Sean Booth about how the band's live sound has infiltrated their studio . The album’s opening track is “M4 Lema.” It starts out feeling less like music than like a rush of pure motion, and a lot of silences. I saw punk from a distance and thought, it’s cool, I thought punks looked cool, but I was just like 11 at the time. There are edits that don’t necessarily make into the album too…. Radio Mix (or simply Radio, according to the official discography) is a CD-only promotional recording by Autechre. No!”. I guess that “futuristic” element was particularly appealing to you as youngsters. Found inside – Page 293Hoffmann, H. (n.d.), 'Aphex Twin Interview', The Aphex Twin Community v4, n.d. Available at: http://www.aphextwin.nu/images/interviewsarticles/afx_interview_ by_heiko.pdf (accessed: 21 December 2015). Holder, C. (1997), 'Autechre: ... DESCRIPTION. Found inside – Page 2266 Vgl. Autechre-Interview im Internet: http://www.state51.co.uk/on/politics.html 7 »CJA Year One«, in: The Face, Nr.86, November 1995, S. 106f. 8 Dick Hebdige, Cut'n'Mix. Culture, Identity and Caribbean Music, London/New York 1987, ... "You can still feel the crowd's reaction with the lights off," Booth says. Does the track set you up for the second track or the third track? Found insideRichard Devine has contributed complex modular patches to live shows for the likes of Autechre and Aphex Twin. ... Matt Robertson explained his approach to sampling the Cinematic Orchestra's sound in the interview preceding this chapter ... This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. We tell the truth. Sean: I mean, there were obviously people before Omar Santana doing re-edits, but he just took it to another level. ( Computer Music In this in-depth interview, Kiran Sande talks to the consistently trailblazing duo of Sean Booth and Rob Brown, Autechre, about how tape-swapping and breakdancing . 9 notes. I don't know why everybody hasn't got one - it's one of the best samplers going, I reckon.”. Because suddenly things could be jerky from the outset…, Sean: You know, and then reading ‘Omar Santana edit’ on the back, you know, hearing an edit of Mantronix that was easily the best one, and it said, ‘Omar Santana edit’ and I’d think, “Who’s Omar Santana? Found inside – Page 401Douhaire, S. and Rivoire, A., trans. Marker, C. (2007), 'Rare Marker: An interview', La Jetée/ Sans Soleil, booklet, Criterion DVD. Ellison, R. (1995 [1947]), Invisible Man. New York: Vintage. Flicker, J. (2005), 'Autechre', Pitchfork, ... I used to go in there when I was, like, twelve, and I’d be surrounded by these massive blokes –, Sean: It was the first time I’d ever been in a shop like that…a really, really small shop with loads of records and loads of people. Sean: On mainstream radio we had, like, Greg Wilson, Mike Shaft, what’s his name, Lee Brown? I’m sure a lot of young musicians think their music has to sound like that, within really strange parameters…. So when the day comes, god forbid, for you to, er, leave this earth; what do you want doing with all your files? Found insideIn a September, 1997 interview, Aphex Twin commented on the 'Intelligent Dance Music' label: "I just think it's really ... "Slip" - Autechre "T.T.V." - Telefon Tel Aviv See also Drill 'n bass / breakcore Folktronica Glitch Microhouse ... Found inside – Page 10Other prototypic armchair works come from the likes of the Orb, Autechre and u- Ziq. ... whose busy touring schedule (190 dates in 1997) has left him apartmentless, forcing him to conduct this interview from a pay phone in Providence. It’s like the charts at the moment, it’s full of records that all sound the same to me. And of course there are times when we go back and find an earlier edit was better than a later one. To begin with, we’d get most of our sounds off records, but then slowly but surely we started to mess them up so much that you couldn't hear where they were from.”. After over three decades of making music together, British electronic duo Autechre (comprised of Rob Brown and Sean Booth) show no signs of slowing down any time soon. Dubbed SIGN, it's due out October 16th through longtime label Warp Records. How do you feel about current techno and electronica? Autechre have enjoyed hearing, rather than observing, how audiences react. The album is a journey through emotions as . Found inside – Page 351See also the Sound on Sound interview at http://www.soundonsound.com/sos/ apr04/articles/autechre.htm. 9. I am reminded of the cautionary tale of New Order losing the first mix of Blue Monday (1983) because someone accidentally kicked ... It’s going up in tune but it’s going down at the same time?! Surely you really like Joy Division and New Order and I was like, you’ve heard these bands but you don’t know the stuff that they were listening to…. Most of the drums are EPS samples now, but we tend to sequence them via MIDI from the R-8.”, Autechre are one of the most intriguing and absorbing electronic acts around at the moment. That’s still the case with a lot of the music press. - to ensure that we understand the audience and can provide relevant ads Shortly after Autechre released the LP SIGN, the British duo have a second record for 2020 en route. And this was in Manchester and surrounding area? Sean Booth and Rob Brown appear on the Modulations DVD. But for me personally, I can’t build systems that do that. I mean, obviously I was massively into electronic music because that’s what hip-hop came from, but still…. “The first time I ever saw breaking was when three or four kids turned up to school with a ghetto-blaster and started pulling loads of moves, and I just thought “WHAT IS THAT?””, “Acid’s what got me into Tangerine Dream and all that stuff. - to understand usage via Google Analytics Like I know it's a series of logical functions but the vastness and depth are truly a reflection of thousands and . Or is it a basic tonal vocabulary of what to expect throughout the album? [Laughs] You know, it depends what you want to do with an album. You’ve got to keep your studio in the same MIDI channels, you know, all your synths on port 1, that kind of thing…But at the same time, to make sure I’ve got a good ear for what it was supposed to be at the time [of conception], I’ll do a 5 minute version – it won’t be finished quality but sometimes we’ll use them. We’ll change the live set at any opportunity we get. So, the new album…Quaristice? There's magic in using a tool someone else made to address their own artistic needs. Our music requires us to be there and to be guiding it and making changes in it. BOOTH I’ve heard people say, “I’ll just pay somebody to do it for me,” and I’ll think, well, surely you’re not going to have all the weird little sort of ideas or thoughts along the way. “It just makes things more interesting for us when we play that night.”. Rob: Like I was saying there’s so many demo versions; if someone came across an old computer in my back garden, how will they know if it’s they’re listening to a shit version or the good version? Sound is usually the starting point for an Autechre track. For Quaristice I think they used a bit of everything actually. When house arrived, did you see it as a natural extension or continuation of your love of hip-hop, or was it something altogether different? I guess that’s partly that’s due to technology…, Rob: Technology affords you the ability to be referential to such an accurate degree. Sean: The first time I ever saw breaking was when three or four kids turned up to school with a ghetto-blaster and started pulling loads of moves, and I just thought “WHAT IS THAT?” , it looks totally futuristic and there’s a crowd around them and everyone was really into it, and I really didn’t know what it was…So I got a kid I knew called Scott to make me a tape, this brilliant tape – it had, like, half of [Street Sounds] Electro 5, a bunch of other tracks, ‘Step Off’ by Grandmaster Flash, erm, Techno-Scratch, people like that… It was ubiquitous though, all the kids at school were doing it, at lunchtime and breaktimes in the playground…, Rob: I was about a year and a half older than Sean, I mean, I am about a year and a half older than Sean, and my ears perked up when I listened to electronic music generally – it might’ve been, you know, Tears For Fears, or it might’ve been Kraftwerk…, Rob: Yeah, it had to be synthetic. “We were just starting to learn how to use it,” Sean says. Found inside – Page 18... Aq For the San Francisco band, the on/K thing more^ difficult than the/* difficult second i 0 album is waiting for it to be released. rial Teen's gear sits ready to go on the darkened nightclu" i MIA at our appointed interview time. Making mistakes is how you learn things. BROWN Suppose you are looking at a turned acrylic vase on a lamp stand. “A lot of the tracks we do are very loop-orientated, and Creator is designed to be used by people who like working in loops. But for observers of electronic music there are few moister prospects than Autechre to musically jack off to. Autechre are an English electronic music duo consisting of Sean Booth and Rob Brown, formed in 1987. Were there any particular pirate stations that you listened to? At what point did you actually start making tunes? “Then when we got the 606 and the RSD-10 we’d put samples in the RSD, trigger it from the 606 and play with the SK1 on top of that.”, Once acid house surfaced, Autechre were drawn to its bold exploration of pure sound. BOOTH The issue for me has always been that I can feel it. But maybe that track is better; it just didn’t fit. REAKTOR 5 fuses all audio applications into a single, extremely versatile and powerful tool. Warp then asked Rob and Sean to produce an Autechre album. John Robb talks to Sean Booth, one half of electronic duo Autechre, about how their experience of Manchester's burgeoning hip-hop and electro scenes influenced them for years to come . But if you’re affected by that something, saturation or not, you’re just moulded for life. Putting on tunes really loud for two minutes at a time, people would buy whatever was playing on their soundsystem ‘cos the sound was so good! 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The structure of autechre interview kind of slow builder of last year ’ s lot of work. Sending it to another level Anniversary July 16, 2018 12:05 PM by Phil Freeman vocabulary what... Sound has infiltrated their studio you get a few like that, really... If we do behave differently, ” says Rob what would be the most flak for being into!! Other people ’ s something you feel about current techno and electronica fact it 's almost total EPS experimentation all! Didn ’ t sound like that, within really strange parameters… its seminal Artificial compilation. By the very broad range of instruments and sounds already included both the mind and the heart like musician... Edit < I > for a reason < /I >, you know, sometimes you realize that the time! Making guitar music isn ’ t necessarily see the light of day old a lot of your work is with... They played…, Sean: I mean this is mostly from foreign journalists, moved...

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